You are here:

Resonance: contemporary music featuring carillon, voice and organ

Kali Malone, NYX and Martijn Comes to perform at Resonance on 30 November 2019. A day of concerts, workshops and discourse exploring new contexts in contemporary church music at Stevenskerk in Nijmegen. Resonance is organized by Rewire and RE:VIVE, an initiative of Sound & Vision (Beeld & Geluid).

Kali Malone, NYX and Martijn Comes to perform at Resonance on 30 November 2019. A day of concerts, workshops and discourse exploring new contexts in contemporary church music at Stevenskerk in Nijmegen. Resonance is organized by Rewire and RE:VIVE, an initiative of Sound & Vision (Beeld & Geluid).

Rewire Festival 2019 Iona Fortune & NYX

Rewire Festival 2019 Iona Fortune & NYX

You could argue Europe’s longest-serving and most awe-inspiring music venue is the church. For almost two millennia, astounding and technically innovative musical performances have been staged in churches using one of the most complex instruments in the world, the organ, and one of the most universal, the voice. The carillon, or church bell, completes the triumvirate. Once the master clock of the community, the carillon can still be heard resonating through streets today. It’s a lasting reminder of the social significance and omnipresence of these crucial heritage sites.

The Carillon, Voice and Organ

On Saturday 30 November international music festival Rewire and RE:VIVE, Sound & Vision’s initiative connecting musicians and the public with its national archive, launch Resonance. The day will feature a contemporary music and discourse programme in the Stevenskerk, the oldest and largest church in Nijmegen, celebrating the three aural pillars of the church: the carillon, the voice and the organ.

Stevenskerk Organ, Nijmegen

Stevenskerk Organ, Nijmegen - Photo: Flip Franssen

Martijn Comes

Dutch composer Martijn Comes, who has a history of composing modern works for the carillon, will present together with Malgosia Fiebig a newly commissioned piece for the Stevenskerk carillon titled ‘Radiance’, a poetic interpretation of Ecclesiastes 3:1-8 from the Old Testament. Visitors will experience the piece outside the Stevenskerk before entering the building for Comes’ second performance using tape recordings and electronics, titled ‘Time’. Both pieces have been developed with guidance from drs. Tom de Haan from St. Bavo church in Haarlem.

Kali Malone

Kali Malone

Kali Malone

Modern minimalist composer Kali Malone will present original compositions on the Stevenskerk’s monumental 18th century König organ, performing together with Erik Enocksson, composer of haunting film scores. Malone’s work explores the interplay of synthetic and acoustic instrumentation, most notably the pipe organ, as heard on her current album, ‘The Sacrificial Code’, recorded on three different organs at the Royal College of Music of Stockholm, the Studio Acusticum concert hall in Piteå and the Haga Church in Gothenburg, Sweden.

NYX

NYX

NYX

Otherworldly drone choir NYX completes the music programme. NYX are a six member vocal troupe who are reshaping the role of the traditional female choir with ambient and ecstatic soundscapes that explore the spectrum of the collective female voice as an instrument.

Parallel to the music programme, during the day there will be a workshop for musicians and a discourse program with experts from the music and heritage world.

More information

Lineup: Kali Malone, NYX, Martijn Comes
Location: Stevenskerk, Sint Stevenskerkhof 62, Nijmegen
Doors open: 18:45
Start: 19:15, the programme ends at 22:00
Tickets: the event is free for students, CJP-members and under 27 year olds (registration required), regular tickets are €5.

This event is part of the Rijksdienst voor het Cultureel Erfgoed Kerk & Kunst program.